Autodesk - Best Visual Effects in Hollywood Film

Inception, Harry Potter, or the Black Swan is a handful of the dozens of Hollywood films are successful in the market. All this thanks to the ingenuity of the visual effects Autodesk.Proses transformation superb views of the city on film 'Inception' could happen thanks to the help of visual effects software from Autodesk, Inc.. which indicate that the Autodesk Digital Entertainment Creation has been used for 16 consecutive years in the film winning Best Visual Effects at the Oscars.

"We are very pleased with the victory of 'Inception' and users of Autodesk long, Double Negative," said Marc Petit, senior vice president of Autodesk Media & Entertainment, in his statement.

"Double Negative team did a remarkable job in bringing the audience into the main character's dreams with innovative visual effects that seamlessly combine elements of digital special effects and live-action footage," said Petit.

Here are some movies Autodesk users who have achieved success

1. Inception. Autodesk used to create an unforgettable visual landscape where dreams and reality become one in a complicated story about the rescue. Double Negative VFX using the device to fold the entire city block in Paris into the city itself, establishing a broad expanse of modern buildings and demolish dilapidated buildings into the sea.

2. Alice in Wonderland, characters are computer-generated (CG) of the viewer to interact with live action, the characters are stretched and distorted to make it look very different from their appearance in the real world. Sony Pictures Imageworks (SPI), a provider of major facilities on the project, using Autodesk Maya software, Autodesk Flame and Autodesk Mudbox.

3. Iron Man 2. ILM, which has created 527 effects shots in this film, creating the Iron Man outfit extraordinary and spectacular action scenes using the help of Maya and Flame. Autodesk Digital Entertainment Creation Tool is also important in pre-visualization work, The Third Floor (700 unique shot) this.

4. Harry Potter and the Deathly Hallows: Part I. MPC (180 shots), Framestore (100 shots), Baseblack (250 shots), Cinesite (100 shots), Double Negative (190 shots) and Rising Sun Pictures created the digital characters from other worlds and the effects that inhabit the world Harry and Hogwarts, including the Deatheater, Dementors, the transformation of character, a digital copying, fire and battle.

5. Hereafter. Opened with incredible scenes of the tsunami disaster that destroyed much of the coastline of Thailand in 2004. To create photorealistic CG water scenes, Scanline VFX uses Autodesk 3ds Max software for modeling, animation, rigging, clothing and hair simulation. The entire simulation of water and fire were created using proprietary fluid simulation systems, flowlines, which is integrated with 3ds Max and V-Ray for rendering; for simulating a collection of people with motion capture, Scanline using Motion Builder.

6. The Lost Thing. Co-director Andrew Ruhemann and Shaun Tan from Passion Pictures Australia using a variety of Digital Music Creation software to tell the story of a boy and a creature that he found the beach. Autodesk Softimage software used for modeling, rigging, animation, lighting, rendering, dynamics and particle effects; Autodesk Smoke software for online mastering and conform; and Autodesk Lustre for color grading.

7. The Gruffalo. Directed by Jakob Schuh and Max Lang of Magic Light Pictures, turn this classic storybook using a combination of Maya for Animation, Autodesk Combustion for compositing and Mudbox for sculpting texturing and shot 450.

8. Black Swan. Stipan team of Technicolor New York using the software Lustre for color grading done in this film, while LOOK Effects, Inc.. using Maya to create the 210 visual effects shots, including a stunning transformation of actress Natalie Portman to be the Black Swan.

9. True Grit. EFILM using Eworks, workflow built in Lustre, to do the coloring in a remake of the classic western movie Coen Brothers' work, using earthy colors and dusty.